Our workshops are designed for musicians of all levels, but may be described as being more appropriate for certain levels. Regardless, everyone is welcome to attend our workshops and sidestage events which also include some jamming opportunities and experience our talented lineup in a more informal and more intimate way. Workshops are 45 minutes unless noted.

The workshop schedule will be announced closer to the festival.

Subscribe to our email list at the bottom of this page in the “Subscribe” box to be notified when the schedule is announced.

Wernick Method
Bluegrass Jamming Class

Taught by Rick Sparks using The Wernick Method
Saturday & Sunday, Sep 16-17

Assisted by Karen Roemmich

• All bluegrass instruments
• No jamming experience necessary
• You will be jamming the first session!

$75 for both days or $40 per Session
*festival admission also required
Sign up online and pay only $65!

It’s easier than you may think! If you play guitar, mandolin, banjo, fiddle, bass, or dobro… you can be part of a bluegrass jam.

Only requirements: You must be able to tune your instrument (electronic tuning devices welcome) and change smoothly between G, C, D, and A. (Fiddles and basses need to know which notes work with which chords) Fast playing is not expected, nor is the ability to solo required.

Click here to sign up.

Rick Sparks is equally at home playing banjo, guitar, mandolin, dobro and pedal steel guitar, and singing either lead or harmony. He has developed a reputation as an outstanding teacher on all of his instruments and currently has over 30 students under his wing.

Pete Wernick (“Dr. Banjo”, originator of Banjo Camps and Bluegrass Jam Camps) has created a method that has taught thousands nationwide how to fit into bluegrass music jams at their own level. Wernick Method teachers are personally certified by Pete based on their knowledge of bluegrass, teaching in general, and teaching bluegrass according to his methods.

Visit and click on Jam Classes.

Photos by Gene Balzer

Photos by Gene Balzer

Photo by Kenneth A. Walters